Book Review: “I see around me tombstones grey” by Stefano Marchionini

Stefano Marchionini is a photographer who has always engaged me by the range and quality of his work. Whether shooting in color or black-and-white, a very intimate and relatable quality comes across that never seems to dwindle after repeated viewings. Marchionini recently released a self-published book titled, I see around me tombstones grey, that focuses on his relationship with his parents after being away for an extended amount of time and the feeling of “home” that his parents bring to him, even when the physical locations of “home” may have changed.

The book is a strong testament to what smart editing and simple design can do to allow for images to speak for themselves and breathe. The pacing of the book is evenly spread between sequences that build to a sense of short-lived intimacy; short-lived, because as soon as one may start to feel a sense of nostalgia or love take form, a reminder of the fragility of life is suddenly thrown in. The finite quality of our relationships with those we love is a hard universal truth that Marchionini reflects upon throughout the book.

Conversely, the imagery often rejoices in the lighter and mundane moments between the photographer and his parents. An image titled, “my father in the garden,” shows Marchionini’s father working in a garden that seems to slowly engulf him despite all of his attempts at pruning. It is an action that seems important while doing but one that in the scope of things, really doesn’t matter as the garden will outlive us all. Subtle reflections like these build upon the theme of the book to guide the viewer through their own thoughts and feelings, a trip that requires multiple visits to really grasp what is being said, but is luckily made easy through the craft of the photographer.

HIGHLY RECOMMENDED and please check out more of Marchionini’s work on his website and flickr.

Be Our Help As In The Past…

Well with one semester down and another about to start, I figure now is just as good of a time to enlighten (ha) you all about my senior thesis endeavor. Focusing on the Serbian-American and Albanian-American communities across the nation, while also trying to find a definitive understanding of the Kosovar civic identity; I find myself trying to understand and show how these two ethnic identities use their own pasts to define their present and future. This whole discussion though has created some visual difficulties for me like; how do you take a picture of something that has already happened? and how can you operate under the banner of ‘photojournalism’ while also constructing visual representations?

While I wish I could write that I have some wonderful insight and answer to these questions, I don’t. But not all is lost (for now) as I have been doing a fair amount of visual experimentation and writing about these two ethnic identities and the whole role of an image in validating the past, which has led to some interesting results. One of those results is a collage series called, Operation Allied Forces, which is a visual history of the NATO military operation against the former Federal Republic of Yugoslavia during the Kosovo War. The collages are based around major events that took place during the campaign and the testimony gathered through interviews of individuals who in one way or another were apart of the operation. These interviews though are not always completely factual of the events that took place, creating a reconstructed history of the actual operation that may or may not be more factual than the “accepted” history of the campaign.

#54 fts Operation Allied Forces

Trying to keep this in the world of photojournalism though, the images used within the collages are all from public image archives that have been meta-tagged in one way or another in relation to Operation Allied Forces. My thought behind this was that these images are meant to serve as a historical document of the past yet their validity depends solely on either your ethnic identity (Albanian/Serbian) or the country you live in and their willingness to acknowledge the independence of Kosovo. With the uncertain validity behind these images, they form the perfect tool to create a visual history to the operation that also finds its own validity placed in question.

#16 fts Operation Allied Forces

#76 fts Operation Allied Forces

In total, I have created 78 collages (one for each day of the operation) and plan on releasing them within a book series that will go along side my thesis, Be Our Help As In The Past… If you’re interested in reading more about the Kosovo war, Albanian ethnic identity, or Serbian identity, these books were personal favorites of mine:

James Pettifer and Miranda Vickers – The Albanian Question
Misha Glenny – The Balkans
Tim Judah – Kosovo: War and Revenge
Tim Judah – The Serbs