Summertime’s Golden Girl and its Close

On sale now in the Empty Stretch store

About My Golden Girl of Summertime and Old Carolina:

As somewhat of a precursor to my BFA thesis project, I made a zine of photographs and text to explore some ideas. By shooting instant film, I became enamored with getting the picture “right” the first time, as it is an expensive process. I quickly learned that it took a certain amount of coddling to get the exposure correct (as my mind’s eye saw it), I had to constantly be aware of ambient temperatures, time, technique, a new piece of camera equipment and most of all the Southern heat and humidity’s affect on chemistry in the field. But most of all, I began to consider missed opportunities in relationship to photography: that moment when the light is just right, when your heart feels it right to set up the 4×5 camera under a dark cloth despite 100-degree weather. Each exposure meant one chance to get it right, to get it perfect. I thought about this idea somehow spilling over into my relationships, missed opportunities to tell those I care about how I care for them and with each meeting, a missed exposure and one less chance to talk.

Through this I began reading The Last Gentleman by Walker Percy whose main character Will Barrett battles many internal and external conflicts, one of which includes the possibility of love with a girl and fellow Southerner, Kitty. I explore my own writing and thoughts about missed opportunities with women as well as Percy’s voice through Barrett’s encounters with Kitty.

It’s $4 and comes with a 5×7 inkjet print.

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I set out with a lofty goal this summer in North Carolina of shooting 100 sheets of film and 100 rolls during my time here. I leave tomorrow morning and I ended up with around 121 rolls and exactly 100 sheets. I read a lot, not just from Walker Percy and my usual Flannery O’Connor, etc. dates, but about my own Southern culture and identity in the form of The New Encyclopedia of Southern Culture from the UNC-Chapel Hill Press. I collected a lot of rejection slips too from photography exhibitions in North Carolina and the South saying my images just wouldn’t fit in their show under the concepts I mentioned. But of course I continued to shoot like always.

I visited where my people come from: a small community called Cat’s Square in Lincolnton, NC where everyone knows everyone. And another small town called Iva in Anderson County, South Carolina where of course, everyone knows everyone. Don’t you know all these places are like a never-ending episode of Cheers. I’m not sure how much I learned by visiting everyone, but I think my mind’s eye has become more in-tune with what my heart and mind wants in a picture. Frankly, I don’t know how much more my head needs to know, only that it hits the heart.

Yesterday I found myself hiding under the entrance door awning of the post office in Newton, NC. The flood gates opened up from the sky and from my vantage point I could see two churches, the library, the auto shop, a few lawyers offices and the dentist all getting pelted with rain. It was the Old Soldier’s Reunion parade: a tradition of honoring the veterans of Catawba County, NC that’s been going on each year since 1889. See it was raining, and I had always been told in driver’s education class in high school that the roads were the most slippery just after it starts raining and coupled with the low visibility and lighting, it makes for accidents. I hear fire trucks and ambulances honking and sounding their sirens to get through the deluge of parade-goers and vehicles. There were already fire trucks in the parade so it was a little confusing to tell which trucks were there for the parade or the emergency across town.

Through the sounds in the street, the honkings, the sirens, I was instantly reminded of life in Washington, DC which I have to return to tomorrow morning. So where my life ended before summer, comes back as a reminder of what I have to put up with come fall. Earlier I began by walking to the mouth of the parade before it spilled its long line down the street, somewhere between the cheerleaders and Civil War re-enactors. I walked with the Confederate actors down the street, and like with just about everything, it was faster than me. I saw the Civil War, WWI, WWII, Vietnam and other heros of war pass before me on my right. It was like tracing my family’s history in just a few seconds, something I had been trying to learn all summer. Like in my research for my thesis project, the past caught up with me, literally and figuratively. Eventually I was left only with myself walking on the street with my camera, a sight I’m familiar with, but it caused me to think. To think about how my memories don’t lie too far in the past or in far-distant relatives or events, but within only the past couple decades, years, days, minutes, things that were apart of an experience uniquely mine.

Maybe I was thinking too much into this simple parade and the act of pressing a button on a camera. Yet on the last full day of summer in North Carolina, a small, dim light was cast upon this vast expanse of future that lay before me in photography or even my life. Of course that light swings like a wind chime in a Southern, baptismal-like rain, like what I was hiding from under the awing of the post office. But it was there for an instant and went away.

Here’s to a senior year full of discovery.

Vote for North of Ramsey….Please!

Hey everyone!

Sorry for the quick spamming but I just found out that my book North of Ramsey has made it to the voting section in the 2011 Photography Book Now competition. It would be super cool if you voted for me and I promise a free hug to everyone who does. We’ve got some big stuff in the works over here at Empty Stretch and hopefully some new zines very very soon. You can follow the link below to vote!


Vote here!

Love,
Nate

 

My Golden Girl of Summertime and Old Carolina

It certainly feels like summer down South and with that, I’ve successfully managed to put off shooting for my senior thesis. However, in preparation for doing so, I’ve begun experimenting with 4×5 Fuji Instant film in my Speed Graphic. I’ve never been all that successful shooting large format, but these instant film packs have provided me with a lot of much-needed immediacy and trial-and-error.

As a precursor to my senior thesis, I’ve begun a short project with these instant film pictures tentatively called My Golden Girl of Summertime and Old Carolina, a phrase borrowed from Walker Percy’s 1966 novel, The Last Gentleman. The main character, Will Barret battles many internal conflicts, one of which involves the changing Mississippi Delta of his boyhood after living in New York City.

After reading this, I was prompted to think of how the people and places I knew as a boy and a teenager had changed. Especially with relationships. Like with instant films and this project where I’m choosing only to shoot 10 different pictures, I have only one chance to make it count. I feel like I never acted or haven’t yet experienced that moment of opportunity to start a relationship with any old crushes of mine that still linger today. This project, presented in book form, will incorporate my own handwritten text, bits from The Last Gentleman and approximately 10 instant film pictures.

I’m not sure if the above image will be included in the book, but what’s the harm in looking at another photo of our good friend the kudzu vine?

Petty Thievery

We may not be the most prompt gentleman around, but I will be damned if we don’t hold to our word. Around christmas we announced what is the first Empty Stretch publication, Home. After a few mis printings, poor print shops, & a few late nights, lots of I’ll do that tomorrows, officially have Empty Stretch #1. Photos that Aaron, Nate, & I took over thanksgiving break of 2010. Full color xeroxed pages, card stock cover, we offering them for 8 dollars, postage included, if you order by mail you also get soem goodies thrown in, not sure what, but we will figure something out. They will also be available tomorrow night at the opening for the first Empty Stretch exhibition, Petty Thieves. Petty Thieves is currently in the Corcoran Museums, Gallery 31, & is a feature of a wide range of Corcoran students work based around the search for identity. The reception will be 6-8 tomorrow (March 24) at the Corcoran. Bring all your friends.

William Eggleston’s “Before Color”

I received “Before Color” over my winter break thanks to a gift card I had for Amazon. Unfortunately, it had not yet been made available in America, so I sat and waited from December 26th till January 12th for it to arrive at my house in Hickory all the way from England. Somehow I felt like I had a sneak preview upon first viewing the book. But by the time I had it my hands, shrink-wrapped and all, many anticipatory reviews had been written, many of them by smarter people than me and much more established and credible.

My credibility to give a review of this publication lies within my education, upbringing, and experience in North Carolina, not too terribly far from Eggleston’s Memphis, Tennessee. But specificity in place, I think, is secondary to Eggleston’s work which has been made almost solely about “The South.” Southern is as Southern does. Whether it’s Mobile, Alabama, Savannah, Georgia, Oxford, Mississppi, or Hickory, North Carolina. Through my eyes and Eggleston’s it seems, it’s all the same.

William Eggleston, "Before Color"

William Eggleston, "Before Color"

Most of us here at Empty Stretch cut our teeth the same way many photographer’s do, including Eggleston, with 35mm black and white film developed ourselves and printed ourselves. By taking away the somewhat novelty aspects of Eggleston’s elegant dry transfer colors, his Memphis seems much more unnerving. Uneasy. And dramatic. And I’m sure it was. Even today, the stigmata of racial tensions in this part of the country is prevalent and Eggleston was there during the zenith of it.

What mood I think rises from this desaturation is a sense of perversion. His camera is thrust upon the subject matter with such a recklessness that I believe some folks in his pictures had to be either curious or fed up with this boy. The people in his photographs exhibit uncanny, rigid and staged poses, that doesn’t seem so in his color work. While others attempt to act nonchalant but appear aware of the lens. The classic, voyeuristic male gaze is ravenous upon the female subjects.

While I think Eggleston’s shooting of people came easier in his later career, as well as his hovering snapshots became more evolved and discovery in nature, his aesthetic remains the same. In context with the ’60s and their lack of color, many more references come to mind in Eggleston’s haze of grain and muddy tones: Robert Frank, Garry Winogrand, Henry Wessel, and countless others. While Eggleston’s images came later than Robert Frank’s Beat Generation, beginning with this black-and-white work, Eggleston and co. became a part of what I feel is the Off-Beat Generation. Eggleston photographs not only the estranged, malicious stares, but also a foggy Colonel Sanders, beer signs, a woman’s ass, and a dead mannequin head. Things that might’ve passed by the lens of the aforementioned photographers. Things dumb but beautiful because Eggleston is making them so by pointing our attention to them.

William Eggleston, "Before Color"

This sense of strange contradictions and dilapidated beauty is lost in some of Steidl’s decisions to make a few photos reside in the gutter of the pages. Much of what Eggleston is leaning on in this body of work, i.e. racial divides, etc. is lost in a specific rendering of the “Real Pit Bar B-Q” image where the black man in the photograph is cut in half by the gutter.

While I’m not one to protest the excessive grain and lack of many of the Zones in a black-and-white photographs (in fact, I think middle gray is quite beautiful), but many images are treated too poorly. I think at least some of Eggleston’s black and white pictures ought to be treated with just as much care as his color ones. The book relies too heavily on Eggleston’s poor printing as a selling point for concept.

William Eggleston, "Before Color"

My negative points aside, I’m glad this book exists. As a photographer who struggles between black and white and color, I’m quite pleased to see a color photographer who I admire shoot black-and-white just as well if not better as he does in color. Sometimes I feel I see differently when I’m shooting color as opposed to black-and-white. This just isn’t so for Eggleston; his eye doesn’t care what kind of film is in the camera. And that’s the beauty about Eggleston as a photographer and about “Before Color.”

Updates

I hope everyone’s new year is off to a good start, I know it’s been quiet over here at Empty Stretch, but we promise that will be changing in the coming days. A lot of the contributors have begun their last semesters of undergrad, myself included, while Nate is getting himself situated in Denmark, & Aaron has begun heading towards a thesis of his own.

Some quick updates with details to follow later.

Empty Stretch No. 1 is done (to some extent). We apologize for the delay, we have been working with not the speediest people, ourselves included. But finals news of that will be posted within the following week.

In the next few days I will be posting a print sale to help raise money to cover the cost of my thesis, prints will be more than reasonable priced as I want people to see more work & hopefully enjoy it as well as help try & break even with thesis.

In more news of books, as we so love around here, I am currently putting the finishing touches on my newest book “(Almost) All the Car Pictures I Have Ever Taken.” Again it should be finished by the end of the week & we will have details in regards to getting your grubby little hands on a copy.

& not to put them on the spot but I’ve heard talk of Aaron & Nate also having new publications on the horizon.

Again sorry for the lack of updates, but more details & news will be coming in with every passing day.