William Douglas on Joel Meyerowitz

William Douglas on Joel Meyerowitz

Feature, Petty Thieves, Spotlight

We have a new series we are excited to announce “Artist on Artist” and first up is Petty Thieves Alum William Douglas writes about the influence of Joel Meyerowtiz’s work on his own.

William Douglas fts The Same Difference Between Us and Them William Douglas fts The Same Difference Between Us and ThemWhen I first started making pictures, many photographers who used cameras to capture “the decisive moment” intrigued me. However, growing up in quieter coastal environments I often did not find creating these types of images to be truthful to my situation. The first photographer I related to artistically was Joel Meyerowitz. I found a copy of his book Cape Light in a thrift store while on a camping trip to Hatteras Island. Being that I was living in an area that lies near multiple rivers, a bay, and an ocean, water was prominent in my artwork. At the time I found the book I was not actively searching for photographers; I was mostly taking pictures to use as reference for paintings I was creating in Chesapeake, Virginia. A majority of the artistic imagery I was exposed to up until this point, with the exception of pop culture influences, was local nautical art with no larger conceptual context.

Joel Meyerowitz Plate 8 Ballston Beach, Truro, 1976 William Douglas fts The Same Difference Between Us and Them

William Douglas fts The Same Difference Between Us and Them Joel Meyerowitz Plate 15 Provincetown,1976When I bought Cape Light it had been almost thirty years since its first print with The Museum of Fine Arts Boston. Knowing that a series can resurface and influence a different generation years later is still something that excites me when viewing classic photographs. I was intrigued by Meyerowitz’s use of toying with the cliché of beach imagery through large format photography, while presenting a type of intimacy someone can only gain by investing time within a tidal region. Through his photographs I learned methods of capturing an aura of a place. In the forward of the book Clifford S. Ackley refers to the twilight hours in which Meyerowitz would make his photographs, quoting the french phrase entire chien et loup (“between dog and wolf”). It was the use of light during these hours that heightened the narrative quality of his photographs, which enlightened me to the possibilities of what I could capture with a camera. As years have passed, I have found many more influences since I came across this series but I still look back to Cape Light and especially PLATE 29 TRURO, 1976 and PLATE 37 PROVINCETOWN, 1977 when seeking inspiration.

William Douglas fts The Same Difference Between Us and Them Joel Meyerowitz Plate 29 Truro, 1976

Please see more work from both William Douglas and Joel Meyerowtiz

“The Mad Butcher” by Dale Rothenberg

“The Mad Butcher” by Dale Rothenberg

Books, Feature

Just in time for the holidays we are pleased to announce our newest release.

This one is by Dale Rothenberg.


The Mad Butcher” follows the trail of Cleveland based 1930’s serial killer, The Mad Butcher of Kingsbury Lane. Offering a mix of archival black & white photographs & color photographs of murder specific locations, Rothenberg leads the viewer on a visual journey of history, memory, and begs us to ask questions about what has come before us.

It is now available for pre order & will ship December 15th. It will officially be released at the Aperture book bazaar on December 13.

Feature: Cara Harman

Feature: Cara Harman

Feature

Cara Harman’s series “Morning Blues” for me reads like the quiet transition scenes between big events in movies. These soft landscapes just before a character has a break through or break down. In here own words:

“Morning Blues” came around when I felt like I needed a photographic change of some sort. At the time I was only shooting black and white, and was beginning to lose my motivation to shoot for some reason. For class at Art Center College of Design, I usually had to wake up very early (before 6am) just to get there on time since my commute was so far. On my way there I started making little pit stops up and around the hill to take pictures of the surrounding landscapes in the rain and fog. This became a frequent thing and soon I realized how much I enjoyed shooting during these early mornings. It was something about that calm, blue, foggy low-light atmosphere that had me in a trance. The project soon developed into road-trips that I would plan out, and awakened a new sense of adventure in me. 

Please find more of Cara Harman’s work on her website.

Interview: Benjamin Davis

Interview: Benjamin Davis

Feature, Interview

Benjamin Davis is a current RIT student in pursuit of a photo degree. His series My Parent’s Scrapbook is about the history of his parent’s relationship and their time before they were married. We asked him a few questions regarding this work.

Memory Box

Empty Stretch: Age/ Location/ 3 favorite things in life?
Benjamin Davis: 20 / Rochester NY / Family and friends, exploring, and cheap vodka.

ES: How did you get into photography?  Why do you keep photographing?
BD: I got into photography seriously in college for the first time. I had always been interested in art but typically just did sketching or painting. I didn’t really know what I wanted to do in school so I took an Intro To Photography class taught by two graduate students and loved it. Seeing their work and looking at the different artists that they showed really inspired me and made me look more into the medium before I finally switched into the program. I really enjoy creating a narrative and developing metaphors through photographs. I keep creating images because I have so many different projects and ideas that I want to express. I’ll often take one picture or find an interesting object and then keep thinking about what it represents and how I can develop a project out of it. I’m always trying to find new methods of visual storytelling.

Broken Bottle, Artificial Beach

ES: What is your relationship to your parents, ie still in contact, are they divorced/ still together? estranged?
BD: I am still in contact with my parents. They have been together for 34 years, married for 27 and dated the other 7. One of the reasons I was so interested in their past is because of how long they have been together in a country where the divorce rate is so high.

Photobooth 1

ES: Do you have any siblings? how do they feel about this work, how do your parents feel about it?
BD: I have one older brother. We don’t talk very often, so I haven’t showed him the work yet. He works for a natural gas drilling company and travels often while I’m always away at school or off working. My parents didn’t really know what to think of the project at first or why I wanted to do it. We came across the box of objects she saved from the time period they were dating. I knew I wanted to do some sort of project with it. I asked them if I could borrow it and have been working on it off and on since. Now that the project has started to come together they like it. My mom has definitely taken an interest in it and just gave me more objects that she found, like another bundle of letters and an old chocolate box full of movie tickets.

Trip to Maine

ES: What is the process for deciding what is shared & what is photographed?
BD: I keep a notebook where I write down places mentioned in the letters. I then set aside letters that I feel showed a sense of character in the relationship for easier access later. I also ask them about their favorite activities and places of the time period. There are so many letters that I am still going through them in order to come up with more ideas. I also go through her scrapbooks and other objects that were saved and put into the box. After I pick out the interesting objects and places I think of what they represent and how I want to photograph it. Lots of the images are minimalist in nature because while I want them to be visually appealing the item still needs to take center stage. I try to share as much as I can because I want to create an appropriate idea of what the time period was like for them.

Motel Receipt

ES: Did you go into this with a clear idea of what you wanted to say about your family? or has it developed along the way?
BD: I always try to go into a project with an open mind and let it develop along the way. In the past I have gone into projects focused solely on one idea and it never turned out well. Some of the objects I found were sweet while others gave me a creepy vibe. I wanted to show both sides of this because in a way love can be like that too, very sweet and fun but it can also turn into obsession. As for the images of places that I visited I felt it important to show what I noticed there now, 27 years later.

Stickers

ES: Any thoughts of next steps? taking it in a direction of Larry Sultans work, photographing your parents now?
BD: I really like Larry Sultan’s work and would like to photograph my parents now but still feel like I have a lot to do with their past. I want to continue this project throughout the fall and get back into the studio. I just took a trip last weekend to visit more places. I also found more old photographs and have been doing more work involving those like this rough edit I shot last weekend.

Please find more of Benjamin Davis’ work on his website.

Feature: Walker Pickering

Feature: Walker Pickering

Feature

Walker Pickering does what every great writer wish they could, he makes the viewer nostalgic for a time they never knew. An Andy Griffith town, with classic cars, hand painted signs, and a certain innocence. But with repeated viewings, you become privy to touches of information hinting at a certain loss, a disappearance of an unknown.
fts Nearly West

fts Nearly West

fts Nearly West

fts Nearly West

fts Nearly WestPlease find more of Walker Pickering’s photographs here. 

 

Feature: Jonny Abraham

Feature: Jonny Abraham

Feature

Jonny Abraham is a recent graduate of Parsons and had the following to say about himself and his work. 

My photography is representative of wandering , as I choose to photograph while I explore my neighborhood as well as new territories. My photographs are influenced by Walter Benjamin and Susan Sontag’s writings on the Flaneur,describing an individual armed with a camera, and an appetite for picturesque discoveries. My images are subtly personal, displaying complex desires and disturbances through esoteric landscapes. Technically speaking, my camera is projecting an image onto my film, at the same time I am projecting emotions onto the landscape. 
fts The Nature Of The Beast

fts The Nature Of The Beast

fts The Nature Of The Beast

fts The Nature Of The Beast

fts People

fts Singles

Please find more of Jonny Abraham’s work on his website.

 

Feature: William Douglas

Feature: William Douglas

Feature

William Douglas has deep roots based in the south & now residing in Virginia, he classifies himself as an “On The Road” artist. He derives a lot of his inspiration for his artwork from literature, folklore, and word of mouth tales. He uses images of landscapes, portraits, and familiar physiological symbols to trigger the concepts of life, death, and love with in the southern region of the US and Puerto Rico.

fts el dios y el agua

fts don't eat the black ones

fts dismal

fts don't eat the black ones

fts el dios y el agua

fts don't eat the black ones

 

Please find more of William Douglas’ work on his website.

Feature: Alishia Farnan

Feature: Alishia Farnan

Feature, Pictures

I was in Scotland once & we had baked potatoes for dinner. The promoter of the show got them for us, he walked in with a tray of 14 baked potatoes, all with different toppings. None of us were really sure how to eat them, or if we shared, or what you did when the toppings ran out. This story has very little to do with Alishia Farnan other than she lives in Scotland & her photographs tell better stories than I do. Please proceed for proof. fts Geordie Land fts Leafy Dreams fts Ham Sandwich fts Ham Sandwich fts Ham Sandwich fts Jelly Doughnut fts Jelly Doughnut   Please find more of Alishia Farnan’s work on her website.